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From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resis! tance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione
, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté
, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, o! r blackmail, or murder.
The Foreign Correspondent is t! he story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 7-SEP-2004
Media Type: DVDThe first of Alfred Hitchcock's World War II features,
Foreign Correspondent was completed in 1940, as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an Ameri! can crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.
In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "good-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, alb! eit too briefly, for comic relief.
As good as the cast is, ! however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --Sam Sutherland For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focuses on murder, international intrigue, and an innocent Joel McCrea caught between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrel! las, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an ! Italian resistance, with an underground press that smuggled ne! ws and e ncouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.
The Foreign Corr! espondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,†comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of ! everyday people forced by their hearts’ passion to fight in ! the war against tyranny.
By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.
Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. Bu! t as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.
The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,†who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.
The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.
From the Hardcover edition.The first of Alfred Hitchcock's Wor! ld War II features, Foreign Correspondent was completed! in 1940 , as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.
In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "go! od-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, albeit too briefly, for comic relief.
As good as the cast is, however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --Sam Sutherland For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focu! ses on murder, international intrigue, and an innocent Joel Mc! Crea cau ght between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrellas, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel This spectacular radio version of Hitchcock's 1940 film of the same title stars Joseph Cotten. This is the story of an American war correspondent who attempts to save a kidnapped Dutch Diplomat.Henrietta was an ordinary New York City cat until she ventured overseas with foreign correspondent Christopher S. Wren and his wife and children. Over seventeen years and tens of thousands of miles, she became a plucky, indispensable companion for the reporter as he covered world events in Moscow, Cairo, Beijing, Ottawa, and Johannesburg.
Wren's of! ten hilarious, and sometimes poignant, account of an American family's adventures crisscrossing the globe shows them coping with chaos in faraway places -- always with the help of their ever resourceful cat. In Russia, Henrietta cadged fish and cabbage at Moscow's Central Market, acquired a taste for caviar, befriended Nobel laureate Andrei Sakharov, disrupted a diplomatic dinner to present a mouse to the guest of honor, and fended off Rasputin -- her tomcat nemesis. Lost for weeks in Egypt, Henrietta lived wild on the unforgiving streets of Cairo, vied with Nile River rats for food scraps, and miraculously found her way back to her distraught family not long after they had given her up for dead. When the Wren family moved to China, Henrietta received a medical checkup from the People's Liberation Army, sampled ginger and coriander, feasted on "huangyu" (a delicacy normally reserved for official banquets), and curled up with the writings of Chairman Mao Zedong. While she li! ved in Canada, she learned to plough through snowdrifts like a! sled do g. During her twilight years in South Africa, Henrietta jousted with exotic birds, danced to a township beat, and fought back against apartheid's guard dogs.
Add to this mix Henrietta's visits to Paris, Rome, Lisbon, and Tokyo, explorations of airport terminals, and confrontations with customsinspectors, and the result is a charming tale about a spunky, curious pet who earned the right to be ranked among the world's most widely traveled cats.There are plenty of entertaining stories written about the public mishaps and accomplishments of dogs; they are social animals and can play highly public roles in everything from television sitcoms to real-life emergency situations. The cat, as feline admirers will not hesitate to agree, is more select in its level of tolerance for lowly humans, and thus few true stories are told that revolve around cats in public life. And then there's Henrietta.
Christopher Wren belonged to Henrietta the cat, and Christopher Wren travels! far and wide in his work as a foreign news correspondent. Of course Henrietta insisted on being brought along to Moscow, Paris, Beijing, Tokyo, and all the other cities the Wrens visited. And of course Henrietta got into all sorts of scrapes--cats can cause enough trouble right in their own living rooms! The Cat Who Covered the World is a tremendously entertaining memoir and travelogue, covering 17 years in the life of a busy cat and her accommodating family. Wherever she went, she charmed, and tales of flight attendants bestowing free portions of salmon mousse and Italian taxi drivers blowing kisses into her cage while ignoring the traffic are intertwined with more typical cat stories of sudden escapes into fields, food stealing, and incessant yowling at inappropriate times. For this book, Wren sets aside his investigations and simply enjoys, culling quotes about cats from Mark Twain, Christopher Smart, Deng Xiaoping, and Herodotus for a bit of added ! depth. His conclusion about the cat/journalist relationship wi! ll have all feline fanciers smiling in agreement: "I have met enough celebrity journalists whose smug self-importance might have been ameliorated or corrected altogether by the ownership of a couple of cats." --Jill Lightner 1940s photo An intimate pose of Quentin Reynolds, Colliers special foreign correspondent, who appears in a full length documentary film, "One day in Soviet Russia", now in its second week at the new Stanley Theatre . Photograph shows Quentin Reynolds, half-length portrait, facing right, seated at desk with typewriter.
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