Zibra ZPCOPEN-OR Open It Universal Package Opener

• Solves wrap rage
• Opens sealed clam chell packages with ease
• Includes safety razor in handle for slicing open boxes, Cd's, Dvd's and more
• Great for opening all holiday gifts
• Includes screwdriver to open battery compartments

We all have that one relative, you know the one, who likes to send you packages in the mail coated in packing tape, or worse sealed with duct tape - they are frustrating and nearly impossible to get into! Now thanks to the Zibra Open It universal package opener opening packages of any kind is a breeze. It features offset cutting jaws that provide maximum leverage to cut through the toughest packages quickly and easily. The offset design also serves to keep your hands a safe distance from sharp, ragged edges when you are opening plastic clamshells. The jaws are crafted from hardened steel, so they can also serve as wire snips. Hidden in one si! de of the handle is a self-retractable utility knife which has a reliable safety lock and automatically retracts when not in use, keeping your hands protected. Hidden in the other side of the handle is a convenient, integrated mini screwdriver. This screwdriver offers the versatility of interchangeable Phillips and slotted heads, so that when you get new toys and electronics out of their packaging you can open sealed battery compartments without pinching your fingers. This multi-use tool even features a simple, intuitive "open/close" lock switch that helps ensure safe storage. Whether you keep it in a kitchen drawer, at the office, or in the glove box of your car, the Open It! is sure to make life run a lot smoother! This Zibra product is guaranteed against defects with normal usage.Tired of cutting your hands on plastic packaging? Are you frustrated with breaking down taped-up cardboard boxes at work? The Zibra Open It! Four-in-One Universal Package Opener lets you easily ! open clamshells, toy packaging, boxes, battery compartments, a! nd more. This universal multi-tool cuts, snips, slices, and unscrews practically any kind of packaging you can imagine.

The Zibra Open It! offers: An easy way to open plastic clamshell packaging Offset cutting jaws to protect your hands from sharp edges The ability to snip wire twist ties and plastic zip ties A self-retracting utility blade A mini Philips/slotted screwdriver

A utility blade is perfect for opening cellophane wrappers and cutting tape. View larger.

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Offset cutting jaws ke! ep your hands away from sharp plastic edges. View larger.

The Open It! offers easy wire and zip tie snipping, along with a convenient screwdriver. View larger.

Dependable Cutting Jaws Get the Job Done
The Zibra Open It! features offset cutting jaws that provide maximum leverage to cut through tough packages quickly and easily. The offset design also serves to keep your hands a safe distance from sharp, ragged edges when you are opening sonic-sealed plastic clamshells. This means you won't cut yourself while opening up new toys or gadgets.

The jaws are crafted from hardened steel, so they can also serve as wire snips. This means that you can safely and effectively cut away the wire twist ties and stubborn plastic zip ties that some manufacturers use in packaging their products. And with a wire snip always handy, you'll never have to ruin a nice pair of sc! issors again just to open up a package.

Integrated Tools Add Versatility
Hidden in one side of the handle is a self-retractable utility knife that comes in handy anytime you're dealing with cardboard, annoying cellophane wrappers, or sticky tape. Perfect for slicing through boxes or opening CDs and DVDs, this utility knife has a reliable safety lock and automatically retracts when not in use, keeping your hands protected.

Hidden in the other side of the handle is a convenient, integrated screwdriver. This mini screwdriver offers the versatility of interchangeable Phillips and slotted heads, so that when you get new toys and electronics out of their packaging you can open sealed battery compartments without having to hunt for special tools.

Practical, Ergonomic Design Wins Endorsements
It's easy to see why the Zibra Open It! was a finalist for the 2008 Housewares Design Awards, and why it has won the endorsement of TV personality /domestic diva Rach! ael Ray. Beyond its versatility, the Open It! boasts ergonomic! ally des igned soft-grip handles that make it comfortable to hold and work with.

This multi-use tool even features a simple, intuitive "open/close" lock switch that helps ensure safe storage. Whether you keep it in a kitchen drawer, at the office, or in the glove box of your car, the Open It! is sure to make your life a lot easier.

This Zibra product is guaranteed against defects with normal usage.

What's in the Box
Zibra Open It! Four-in-One Universal Package Opener

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1940s photo An intimate pose of Quentin Reynolds, Colliers special foreign correspondent, who appear

• Photo from archives of Washington D.C. Area Newspaper
• 8x10 Black & White Photo (size approximation)
• Ready to Frame
• Archival quality reproduction created from the original photo or negative

From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.

By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resis! tance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.

Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, o! r blackmail, or murder.

The Foreign Correspondent is t! he story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.

The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.


From the Hardcover edition.No Description Available.
Genre: Feature Film-Drama
Rating: NR
Release Date: 7-SEP-2004
Media Type: DVDThe first of Alfred Hitchcock's World War II features, Foreign Correspondent was completed in 1940, as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an Ameri! can crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.

In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "good-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, alb! eit too briefly, for comic relief.

As good as the cast is, ! however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --Sam Sutherland For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focuses on murder, international intrigue, and an innocent Joel McCrea caught between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrel! las, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of everyday people forced by their hearts’ passion to fight in the war against tyranny.

By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an ! Italian resistance, with an underground press that smuggled ne! ws and e ncouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.

Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. But as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.

The Foreign Corr! espondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.

The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.


From the Hardcover edition.From Alan Furst, whom The New York Times calls “America’s preeminent spy novelist,” comes an epic story of romantic love, love of country, and love of freedomâ€"the story of a secret war fought in elegant hotel bars and first-class railway cars, in the mountains of Spain and the backstreets of Berlin. It is an inspiring, thrilling saga of ! everyday people forced by their hearts’ passion to fight in ! the war against tyranny.

By 1938, hundreds of Italian intellectuals, lawyers and journalists, university professors and scientists had escaped Mussolini’s fascist government and taken refuge in Paris. There, amid the struggles of émigré life, they founded an Italian resistance, with an underground press that smuggled news and encouragement back to Italy. Fighting fascism with typewriters, they produced 512 clandestine newspapers. The Foreign Correspondent is their story.

Paris, a winter night in 1938: a murder/suicide at a discreet lovers’ hotel. But this is no romantic tragedâ€"it is the work of the OVRA, Mussolini’s fascist secret police, and is meant to eliminate the editor of Liberazione, a clandestine émigré newspaper. Carlo Weisz, who has fled from Trieste and secured a job as a foreign correspondent with the Reuters bureau, becomes the new editor.
Weisz is, at that moment, in Spain, reporting on the last campaign of the Spanish civil war. Bu! t as soon as he returns to Paris, he is pursued by the French Sûreté, by agents of the OVRA, and by officers of the British Secret Intelligence Service. In the desperate politics of Europe on the edge of war, a foreign correspondent is a pawn, worth surveillance, or blackmail, or murder.

The Foreign Correspondent is the story of Carlo Weisz and a handful of antifascists: the army officer known as “Colonel Ferrara,” who fights for a lost cause in Spain; Arturo Salamone, the shrewd leader of a resistance group in Paris; and Christa von Schirren, the woman who becomes the love of Weisz’s life, herself involved in a doomed resistance underground in Berlin.

The Foreign Correspondent is Alan Furst at his absolute bestâ€"taut and powerful, enigmatic and romantic, with sharp, seductive writing that takes the reader through darkness and intrigue to a spectacular denouement.


From the Hardcover edition.The first of Alfred Hitchcock's Wor! ld War II features, Foreign Correspondent was completed! in 1940 , as the European war was only beginning to erupt across national borders. Its titular hero, Johnny Jones (Joel McCrea), is an American crime reporter dispatched by his New York publisher to put a fresh spin on the drowsy dispatches emanating from overseas, his nose for a good story (and, of course, some fortuitous timing) promptly leading him to the "crime" of fascism and Nazi Germany's designs on European conquest.

In attempting to learn more about a seemingly noble peace effort, Jones (who's been saddled with the dubious nom du plume Hadley Haverstock) walks into the middle of an assassination, uncovers a spy ring, and, not entirely coincidentally, falls in love--a pattern familiar to admirers of Hitchcock's espionage thrillers, of which this is a thoroughly entertaining example. McCrea's hardy Yankee charms are neatly contrasted with the droll, veddy English charm of colleague George Sanders; Herbert Marshall provides a plummy variation on the requisite, ambiguous "go! od-or-is-he-really-bad" guy; Laraine Day affords a lovely heroine; and Robert Benchley (who contributed to the script) pops up, albeit too briefly, for comic relief.

As good as the cast is, however, it's Hitchcock's staging of key action sequences that makes Foreign Correspondent a textbook example of the director's visual energy: an assassin's escape through a rain-soaked crowd is registered by rippling umbrellas, a nest of spies is detected by the improbable direction of a windmill's spinning sails, and Jones's nocturnal flight across a pitched city rooftop produces its own contextual comment when broken neon tubes convert the Hotel Europe into "Hot Europe." --Sam Sutherland For inexplicable reasons, Foreign Correspondent never achieved the fame of The 39 Steps or North by Northwest, but it is certainly good enough to join the ranks of these better-known Hitchcock thrillers. Set just before the beginning of World War II, the film focu! ses on murder, international intrigue, and an innocent Joel Mc! Crea cau ght between spies and counterspies. Highlights include an assassination on a rainy day with the killer escaping into a sea of umbrellas, a group of spies who signal their Dutch contacts by turning windmills against the wind, and an extraordinary climax aboard a plane that crashes into the ocean. In McCrea's final speech, you can hear the British filmmaker uniting American patriotism with the anti-Nazi cause. --Raphael Shargel This spectacular radio version of Hitchcock's 1940 film of the same title stars Joseph Cotten. This is the story of an American war correspondent who attempts to save a kidnapped Dutch Diplomat.Henrietta was an ordinary New York City cat until she ventured overseas with foreign correspondent Christopher S. Wren and his wife and children. Over seventeen years and tens of thousands of miles, she became a plucky, indispensable companion for the reporter as he covered world events in Moscow, Cairo, Beijing, Ottawa, and Johannesburg.

Wren's of! ten hilarious, and sometimes poignant, account of an American family's adventures crisscrossing the globe shows them coping with chaos in faraway places -- always with the help of their ever resourceful cat. In Russia, Henrietta cadged fish and cabbage at Moscow's Central Market, acquired a taste for caviar, befriended Nobel laureate Andrei Sakharov, disrupted a diplomatic dinner to present a mouse to the guest of honor, and fended off Rasputin -- her tomcat nemesis. Lost for weeks in Egypt, Henrietta lived wild on the unforgiving streets of Cairo, vied with Nile River rats for food scraps, and miraculously found her way back to her distraught family not long after they had given her up for dead. When the Wren family moved to China, Henrietta received a medical checkup from the People's Liberation Army, sampled ginger and coriander, feasted on "huangyu" (a delicacy normally reserved for official banquets), and curled up with the writings of Chairman Mao Zedong. While she li! ved in Canada, she learned to plough through snowdrifts like a! sled do g. During her twilight years in South Africa, Henrietta jousted with exotic birds, danced to a township beat, and fought back against apartheid's guard dogs.

Add to this mix Henrietta's visits to Paris, Rome, Lisbon, and Tokyo, explorations of airport terminals, and confrontations with customsinspectors, and the result is a charming tale about a spunky, curious pet who earned the right to be ranked among the world's most widely traveled cats.There are plenty of entertaining stories written about the public mishaps and accomplishments of dogs; they are social animals and can play highly public roles in everything from television sitcoms to real-life emergency situations. The cat, as feline admirers will not hesitate to agree, is more select in its level of tolerance for lowly humans, and thus few true stories are told that revolve around cats in public life. And then there's Henrietta.

Christopher Wren belonged to Henrietta the cat, and Christopher Wren travels! far and wide in his work as a foreign news correspondent. Of course Henrietta insisted on being brought along to Moscow, Paris, Beijing, Tokyo, and all the other cities the Wrens visited. And of course Henrietta got into all sorts of scrapes--cats can cause enough trouble right in their own living rooms! The Cat Who Covered the World is a tremendously entertaining memoir and travelogue, covering 17 years in the life of a busy cat and her accommodating family. Wherever she went, she charmed, and tales of flight attendants bestowing free portions of salmon mousse and Italian taxi drivers blowing kisses into her cage while ignoring the traffic are intertwined with more typical cat stories of sudden escapes into fields, food stealing, and incessant yowling at inappropriate times. For this book, Wren sets aside his investigations and simply enjoys, culling quotes about cats from Mark Twain, Christopher Smart, Deng Xiaoping, and Herodotus for a bit of added ! depth. His conclusion about the cat/journalist relationship wi! ll have all feline fanciers smiling in agreement: "I have met enough celebrity journalists whose smug self-importance might have been ameliorated or corrected altogether by the ownership of a couple of cats." --Jill Lightner 1940s photo An intimate pose of Quentin Reynolds, Colliers special foreign correspondent, who appears in a full length documentary film, "One day in Soviet Russia", now in its second week at the new Stanley Theatre . Photograph shows Quentin Reynolds, half-length portrait, facing right, seated at desk with typewriter.

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Full Grown Men

• FULL GROWN MEN (DVD MOVIE)

Alby Cutrera (Matt McGrath) is
a pathologically nostalgic guy who yearns for a time when life was care-free and action figures were 12-inches tall. When his wife kicks him out for being more of a playmate than a father to his young son, Alby tracks down his boyhood
pal Elias (Judah Friedlander - 30 Rock) for a trip down memory lane.
Only Elias s version of their younger days is considerably less rosy.
In a twist of fate, Alby and Elias set out on a comedic road trip to Diggityland, their favorite place as kids, but simpler times turn complicated as the two friends confront the landmines of their past. Journeying through the timeless back roads of Florida, they encounter a cast of crazy characters a disgruntled ex-theme park employee (Alan Cumming - X-Men 2, The L Word), a horny bartending clown (Amy Sedaris - Strangers with Candy), and a delusional m! ermaid (Rock Icon Deborah Harry) each one shedding light on the perils of not letting go. Full Grown Men is the bittersweet tale of a man who learns the hard way that
the best years of his life may still lay ahead.

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The Beautiful Truth: The World's Simplest Cure for Cancer

• After the unexpected and tragic death of his mother, 15-year old Garrett, who is an animal-loving teenager, was spiraling downward and fast. His father withdrew Garrett to be home-schooled to avoid flunking out. Growing up on an Alaskan animal reserve, Garrett's father recognized his son's interest in the dietary habits of their animals. That prompted him to assign a book written by Dr. Max Gerson

Raised on a wildlife reserve in Alaska, 15-year old Garrett was interested in the dietary habits of their animals. After the tragic death of his mother, Garrett s father decided to home-school his son and assigned a book written by Dr. Max Gerson that proposes a direct link between diet and a cure for cancer. Fascinated, Garrett embarks on a cross-country road trip to investigate The Gerson Therapy. He meets with scientists, doctors and cancer survivors who reveal how it is in the best interest of t! he multi-billion dollar medical industry to dismiss the notion of alternative and natural cures.

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Citizen Kane (Two-Disc Special Edition)

• A fascinating story of idealism corrupted by wealth, Citizen Kane is frequently named the greatest film of all time and is credited with inspiring more directorial careers than any other film in history. Orsen Welles and Agnes Moorehead star.Running Time: 119 min. Format: DVD MOVIE Genre: DRAMA Rating: PG Age: 053939656527 UPC: 053939656527 Manufacturer No: T6

Orson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70th anniversary digital transfer with revitalized digital audio from the highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dyin! g man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kan! e, Welles even ushers in the influence of Bertolt Brecht on fi! lm actin g. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghOrson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70th anniversary digital transfer with revitalized digital audio from the highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dying man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contrad! ictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghOrson Welles’ timeless masterwork is more than a groundbreaking film. Presented here in a magnificent 70! th anniversary digital transfer with revitalized digital audio! from th e highest quality surviving elements, it is also grand entertainment, sharply acted and superbly directed with inspired visual flair. Depicting the controversial life of an influential publishing tycoon, this Best Original Screenplay Academy Award Winner (1941) is rooted in themes of power, corruption, vanityâ€"the American Dream lost in the mystery of a dying man’s last word: “Rosebud.”Arguably the greatest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to t! hat deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom KeoghThe story of an immensely wealthy newspaper publisher, as he is remembered by his friends and former wife after his death. Loosely based on the life of William Randolph Hearst. Frequently called the greatest film of all time.
No Track Information Available
Media Type: DVD
Artist: WELLES/COTTEN/COMINGORE/MOOREH
Title: CITIZEN KANE
Street Release Date: 09/24/2002
Domestic
Genre: DRAMAArguably the gre! atest of American films, Orson Welles's 1941 masterpiece, made when he was only 26, still unfurls like a dream and carries the viewer along the mysterious currents of time and memory to reach a mature (if ambiguous) conclusion: people are the sum of their contradictions, and can't be known easily. Welles plays newspaper magnate Charles Foster Kane, taken from his mother as a boy and made the ward of a rich industrialist. The result is that every well-meaning or tyrannical or self-destructive move he makes for the rest of his life appears in some way to be a reaction to that deeply wounding event. Written by Welles and Herman J. Mankiewicz, and photographed by Gregg Toland, the film is the sum of Welles's awesome ambitions as an artist in Hollywood. He pushes the limits of then-available technology to create a true magic show, a visual and aural feast that almost seems to be rising up from a viewer's subconsciousness. As Kane, Welles even ushers in the influence of Bertolt Brecht on ! film acting. This is truly a one-of-a-kind work, and in many ways is still the most modern of modern films from the 20th century. --Tom Keogh

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Flags of Our Fathers First Edition In Dust Jacket

• Flags of Our Fathers
• [Flags of Our Fathers]

#1 NEW YORK TIMES BESTSELLER

THE TRUE STORY BEHIND THE IMMORTAL PHOTOGRAPH THAT HAS COME TO SYMBOLIZE THE COURAGE AND INDOMITABLE WILL OF AMERICA

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island’s highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley! draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men’s paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific’s most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley’s father truly survived, displaying no copy of the famous photograph in his home, telling his son only: “The real heroes of Iwo Jima were the guys who didn’t come back.”

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this i! s history told with keen insight, enormous honesty, and the pa! ssion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.The Battle of Iwo Jima, fought in the winter of 1945 on a rocky island south of Japan, brought a ferocious slice of hell to earth: in a month's time, more than 22,000 Japanese soldiers would die defending a patch of ground a third the size of Manhattan, while nearly 26,000 Americans fell taking it from them. The battle was a turning point in the war in the Pacific, and it produced one of World War II's enduring images: a photograph of six soldiers raising an American flag on the flank of Mount Suribachi, the island's commanding high point.

One of those young Americans was John Bradley, a Navy corpsman who a few days before had braved enemy mortar and machine-gun fire to administer first aid to a wounded Marine and then drag him to safety. For this act of heroism Bradley would receive the Navy C! ross, an award second only to the Medal of Honor.

Bradley, who died in 1994, never mentioned his feat to his family. Only after his death did Bradley's son James begin to piece together the facts of his father's heroism, which was but one of countless acts of sacrifice made by the young men who fought at Iwo Jima. Flags of Our Fathers recounts the sometimes tragic life stories of the six men who raised the flag that February day--one an Arizona Indian who would die following an alcohol-soaked brawl, another a Kentucky hillbilly, still another a Pennsylvania steel-mill worker--and who became reluctant heroes in the bargain. A strongly felt and well-written entry in a spate of recent books on World War II, Flags gives a you-are-there depiction of that conflict's horrible arenas--and a moving homage to the men whom fate brought there. --Gregory McNameeFrom Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven! ) comes the World Was II epic Flags of Our Fathers, pro! duced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest battles of the war was the struggle for the island of Iwo Jima, which culminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols an! d did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never knew the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was ! abandoned when Eastwood signed on to direct), this isn't so mu! ch a con ventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed stud! y of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers
Other World War II DVDs
Essential DVDs by Director Clint Eastwood
Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal ! photograph that has come to symbolize the courage and indomita! ble will of America.

In February 1945, American Marines plunged into the surf at Iwo Jimaâ€"and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag.

Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever.

To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In Flags of Our Fathers, James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial islandâ€"an island riddled with Japanese tunnels and 22,000 fanatic d! efenders who would fight to the last man.

But perhaps the most interesting part of the story is what happened after the victory. The men in the photoâ€"three were killed during the battleâ€"were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: "The real heroes of Iwo Jima were the guys who didn't come back."

Few books ever have captured the complexity and furor of war and its aftermath as well as Flags of Our Fathers. A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.


From the Hardcover edition.In the winter of 194! 5, on the tiny island of Iwo Jima, a ferocious, epic battle wa! s fought , resulting in the loss of more than 48,000 lives and producing what was to become one of the most recognizable symbols of World War II: a photograph of six soldiers raising an American flag on the peak of Mount Suribachi. One of the six, Navy corpsman John Bradley, came away from this historical moment with a deep and mysterious silence about his role in the flag raising. Even his wife heard him speak of it only once in their 47-year marriage. After Bradley's death, his son James began to piece together the facts of his father's heroism, as well as that of the other five men, all of whom became reluctant heroes because of their presence during that fateful instant when the shutter clicked and created a wartime icon.

Based on James Bradley's Flags of Our Fathers for adults, this abridged version for younger readers retains the somewhat terse drama, intense heartbreak, and bittersweet triumph of the original narrative. Through his research on th! e event and the soldiers (three of the men were killed in combat within days of the flag raising), Bradley explores the dubious nature of heroism and the devastating effects of war. (Ages 14 and older) --Emilie CoulterFLAGS OF OUR FATHERS SPECIAL COLLECTO - Blu-Ray MoThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of vi! ctory on the battle-ravaged Japanese island of Iwo Jima on Feb! ruary 23 rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-ra! isers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other Wor! ld War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

From Academy Award-winning director Clint Eastwood (Million Dollar Baby, Unforgiven) comes the World Was II epic Flags of Our Fathers, produced by Eastwood, Academy Award winner Steven Spielberg (Saving Private Ryan, Schindler’s List), and Rob Lorenz (Mystic River), and from a screenplay adapted by William Broyles, Jr. (Cast Away) and Oscar winner Paul Haggis (Million Dollar Baby, Crash).
February 1945. Even as victory in Europe was finally within reach, the war in the Pacific raged on. One of the most crucial and bloodiest ba! ttles of the war was the struggle for the island of Iwo Jima, ! which cu lminated with what would become one of the most iconic images in history: five Marines and a Navy corpsman raising the American flag on Mount Suribachi. The inspiring photo capturing that moment became a symbol of victory to a nation that had grown weary of war and made instant heroes of the six American soldiers at the base of the flag, some of whom would die soon after, never knowing that they had been immortalized. But the surviving flag raisers had no interest in being held up as symbols and did not consider themselves heroes; they wanted only to stay on the front with their brothers in arms who were fighting and dying without fanfare or glory.
Flags of Our Fathers is based on the bestselling book by James Bradley with Ron Powers, which chronicled the battle of Iwo Jima and the fates of the flag raisers and some of their brothers in Easy Company. Bradley’s father, John "Doc" Bradley, was one of the soldiers pictured raising the flag, although James never kne! w the full extent of his father’s experiences until after the elder Bradley’s death in 1994.
Thematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by James Bradley (with Ron Powers), and adapted by Million Dollar Baby screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) w! hile emphasizing how three of the surviving flag-raisers (play! ed by Ad am Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctantly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models dur! ing times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate futility of war. Eastwood's follow-up film, Letters from Iwo Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director! Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

The classic first-hand WWII narrative that chronicles the Marines’ savage five-day struggle to wrest Mount Suribachi from its tenacious Japanese defenders during their 35 day battle for Iwo Jima in 1945.  Revised with a new introduction by the author and recently discovered photos, this book served as invaluable source material both for James Bradley’s bestseller Flags of Our Fathers as well as Clint Eastwood’s acclaimed film of the same name.

New! Fast shipping!FLAGS OF OUR FATHERS SPECIAL COLLECTO - DVD MovieThematically ambitious and emotionally complex, Clint Eastwood's Flags of Our Fathers is an intimate epic with much to say about war and the nature of heroism in America. Based on the non-fiction bestseller by J! ames Bradley (with Ron Powers), and adapted by Million Doll! ar Baby< /i> screenwriter Paul Haggis (Jarhead screenwriter William Broyles Jr. wrote an earlier draft that was abandoned when Eastwood signed on to direct), this isn't so much a conventional war movie as it is a thought-provoking meditation on our collective need for heroes, even at the expense of those we deem heroic. In telling the story of the six men (five Marines, one Navy medic) who raised the American flag of victory on the battle-ravaged Japanese island of Iwo Jima on February 23rd, 1945, Eastwood takes us deep into the horror of war (in painstakingly authentic Iwo Jima battle scenes) while emphasizing how three of the surviving flag-raisers (played by Adam Beach, Ryan Phillippe, and Jesse Bradford) became reluctant celebrities â€" and resentful pawns in a wartime publicity campaign â€" after their flag-raising was immortalized by Associated Press photographer Joe Rosenthal in the most famous photograph in military history.

As the surviving flag-raisers reluctant! ly play their public roles as "the heroes of Iwo Jima" during an exhausting (but clearly necessary) wartime bond rally tour, Flags of Our Fathers evolves into a pointed study of battlefield valor and misplaced idolatry, incorporating subtle comment on the bogus nature of celebrity, the trauma of battle, and the true meaning of heroism in wartime. Wisely avoiding any direct parallels to contemporary history, Eastwood allows us to draw our own conclusions about the Iwo Jima flag-raisers and how their postwar histories (both noble and tragic) simultaneously illustrate the hazards of exploited celebrity and society's genuine need for admirable role models during times of national crisis. Flags of Our Fathers defies the expectations of those seeking a more straightforward war-action drama, but it's richly satisfying, impeccably crafted film that manages to be genuinely patriotic (in celebrating the camaraderie of soldiers in battle) while dramatizing the ultimate f! utility of war. Eastwood's follow-up film, Letters from Iwo! Jima, examines the Iwo Jima conflict from the Japanese perspective. --Jeff Shannon

Beyond Flags of Our Fathers

Other World War II DVDs

Essential DVDs by Director Clint Eastwood

Flags of Our Fathers by James Bradley

Stills from Flags of Our Fathers (click for larger image)

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Flags of Our Fathers

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