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Bugsy: Extended Cut special features
Anyone who's heard how intense (or perhaps the word is "torturous") it can be to make a film with Warren Beatty will be captivated by the behind-the-scenes extras on the Bugsy: Extended Cut DVD. The highlight is the chat among screenwriter James Toback, director Barry Levinson, and star and co-producer Beatty on how the project and the final film came to be. Tellingly, Beatty is sitting quite apart from the other two, though they're in a semi-circular banquette at Perino's in Los Angeles.
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The conversation starts out slowly, ! with Tob ack, a genial blowhard, talking about losing the original script, but it picks up steam when the topic turns to the casting of the excellent actors in the film, including Sir Ben Kingsley and Elliott Gould, who also participate. And of course the most interesting off-screen component of the project--Beatty meeting his future wife, costar Annette Bening--is given a fun spotlight in the film. Levinson remembers that after meeting Bening for the first time, Beatty called him enthusiastically saying, "She's great, I love her, I'm going to marry her" ("you know, just a throwaway line," Levinson says, laughing), and Toback and Levinson and Bening herself talk about the signs the two were slowly falling in love. It's as dishy as anything you're likely to see about the notoriously private Beatty, and well worth the investment.
Other extras include several deleted scenes ! that are now included in the film (and unlike many other "extended cut" releases, actually enhance the depth of the story). One is a harrowing scene in which Bugsy contemplates, and nearly commits, suicide, via Russian roulette. Another is an amusing screen test that Siegal takes, thinking his roguish charm will translate to the big screen. Though it takes Beatty's considerable talents to make that happen, the earnestness of Siegal's outsider character is touching in glimpses like this. --A.T. Hurley
Beyond Bugsy
 Other Gangsters films on Amazon.com |  More Films staring Warren Beatty |  See the true story |
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Bugsy represents an almost miraculous combination of director, writer, and star on a project that represents a career highlight for everyone involved. It's one of the best American gangster movies ever made--as good in its own way as any of the Godfather films--and it's impossible to imagine anyone better than Beatty in the movie's flashy title role. As notorious mobster and Las Vegas visionary "Bugsy" Siegel, Beatty is perfectly cast as a man whose dreams are greater than his ability to realize them--or at least, greater than his ability to stay alive while making those dreams come true. With a glamorous Hollywood mistress (Annette Bening) who shares Bugsy's dream while pursuing her own upwardly mobile agenda, Bugsy seems oblivious to threats when he begins to spend too much of the mob's money on the creation of the Flamingo casino. Meyer Lansky (Ben Kingsley) an! d Mickey Cohen (Harvey Keitel) will support Bugsy's wild ambit! ion to a point, after which all bets are off, and Bugsy's life hangs in the balance. From the obvious chemistry of Beatty and Bening (who met and later married off-screen) to the sumptuous reproduction of 1940s Hollywood, every detail in this movie feels impeccably right. Beatty is simply mesmerizing as the man who invented Las Vegas but never saw it thrive, moving from infectious idealism to brutal violence in the blink of an eye. Director Barry Levinson is also in peak form here, guiding the stylish story with a subtle balance of admiration and horror; we can catch Bugsy's Vegas fever and root for the gangster's success, but we know he'll get what he deserves. We might wish that Bugsy had lived to see his dream turn into a booming oasis, but the movie doesn't suggest that we should shed any tears. --Jeff ShannonAsian release of award winning DVD directed by Alan Parker (1976) and starring Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. In! stead of throwing fists or bullets, the prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. Multi winners of BAFTA Awards. Original English dialogue with English/Chinese subtitles. Digital Dolby/5.1. NTSC. Panorama Ent. 2002.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the mo! vie climaxes cheerfully with the biggest custard pie fight thi! s side o f Casino Royale (1967).
Unfortunately for a musical, Paul Williams's score--part honky-tonk jazz homage, part 1970s Elton John-style pop--lets the side down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. DalkinImport only Blu-Ray pressing. Region All. Special features include, Promotional Trailers, Photo Gallery, 'From Sketch to Screen' featurette. 1080p / 16:9 - 1.78:1. Dolby Digital 5.1. This award winning film directed by Alan Parker (1976) stars Jodi Foster and Scott Baio. A child gangster determined to rule over New York City. Instead of throwing fists or bullets, th! e prohibition-era kiddie mobsters sling confections at one another. When he learns that a rival gang has developed a secret weapon capable of firing sweets as quick as a machine gun shoots bullets, he sets out to heist the high-tech tart-launcher. ITV. 2008.Writer-director Alan Parker's feature debut Bugsy Malone is a pastiche of American movies, a musical gangster comedy set in 1929, featuring prohibition, showgirls, and gang warfare, with references to everything from Some Like It Hot to The Godfather. Uniquely, though, all the parts are played by children, including an excellent if underused Jodie Foster as platinum-blonde singer Tallulah, Scott Baio in the title role and a nine-year-old Dexter Fletcher wielding a baseball bat. Cream-firing "spluge guns" sidestep any real violence and the movie climaxes cheerfully with the biggest custard pie fight this side of Casino Royale (1967).
Unfortunately for a musical, Paul Williams's score--par! t honky-tonk jazz homage, part 1970s Elton John-style pop--let! s the si de down with a lack of memorable tunes. Nevertheless, Parker's direction is spot on and the look of the film is superb, a fantasy movie-movie existing in the same parallel reality as The Cotton Club and Chicago. A rare British love letter to classic American cinema, Bugsy Malone remains a true original; in Parker's words "the work of a madman" and one of the strangest yet most stylish children's films ever made. --Gary S. Dalkin
This early Roald Dahl adventure is great for reading aloud to three- to seven-year-olds, who will be delighted to hear that Mr. Fox keeps his family one step ahead of the obsessed farmers. When they try to dig him out, he digs faster; when they lay siege to his den, he tunnels to where the farmers least expect him--their own larders! In the end, Mr. Fox not only survives, but also helps the whole community of burrowing creatures live happily ever after. With his usual flourish, Dahl evokes a magical animal world that, as children, we alwa! ys knew existed, had we only known where or how to look for i! t. (G reat read aloud for any age; written at a 9- to 12-year-old reading level)
For die-hard horror fans, The Hills Have Eyes 2 is a knock-off remake/sequel that delivers a few queasy thrills. While it represents a minor improvement over the 1985 sequel to Wes Craven's 1977 original (you know, the one with the no! torious "canine flashback"), it's yet another cookie-cutter exercise in death by stupidity, focusing its Aliens-in-the-desert plot on a scrappy, ill-tempered unit of National Guard soldiers who've been sent to investigate the first remake's hellish aftermath in the bomb-tested wastelands of Nevada. (Like its far-superior 2006 predecessor, this sequel was shot on location in Morocco.) Unfortunately these bickering recruits are an embarrassment to their inauthentic-looking uniforms, and their reckless inexperience (not to mention a tired, uninspired screenplay by Craven and his son Jonathan) makes them easy targets for the ravenous, irradiated mutants who dwell within a treacherous network of tunnels and caves. As the generically good-looking cast is reduced to a few terrorized survivors (which somehow doesn't stop costars Jessica Stroup and Daniella Alonso from looking like fashion models), music-video director Martin Weisz switches to auto-pilot in his dubious feature debut! , serving up a basically plotless succession of grisly makeup ! FX by Ho ward Berger and his crack team of gore-mongers. The gross-out factor is sufficiently amusing (including one soldier pulled through a hole with one leg in the totally wrong direction), but even devoted horror connoisseurs will have to admit this is pretty lame stuff. --Jeff Shannon
Beyond The Hills Have Eyes 2
 All Hills Have Eyes Movies |  The Hills Have Eyes: The Beginning |  Wes Craven: The Art of Horror |
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Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ! ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to sh! ow their truly attractive colors, Eva is delivered to ! us, claw s retracted, and ready for love. --Jeff ShannonHer sisters think she's a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is until the guys decide the only way they will ever score any quality time with their women is to find single Eva a man. Pronto.
Enter Ray (LL Cool J) an ultra-suave player's player, who is hired to make Eva fall madly in love with him. All goes according to plan until this ladies' man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,0! 00 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonDeliver Us From Eva Her sisters think she’s a gift from heaven. Their husbands call her the sister-in-law from hell. But Eva (Gabrielle Union) is too busy being a smart, sassy, overprotective overachiever to really care what anyone thinks. That is, until the guys decide the only way they will eve! r score quality time with their women is to hire ultra-suave R! ay (LL C ool J) to make Eva fall madly in love with him. All goes according to plan until this ladies’ man finds himself unexpectedly falling for this beautiful lady in this hip, fresh and funny comic romp.
Something New Kenya McQueen (Sanaa Lathan) thought she had it all: a successful career, good friends and family. There was just one thing she didn’t have under control: her love life. All that changes when she meets sexy, free-spirited Brian Kelly (Simon Baker). But when her ideal man (Blair Underwood) arrives on the scene, Kenya must decide between the relationship everyone expects and the romance no one expected.
The Best Man Harper Steward (Taye Diggs) is a commitment-shy writer and the best man at the wedding of Lance (Morris Chestnut) and Mia (Monica Calhoun). Unfortunately for Harper, the timing couldn’t be worse. His new book is coming out, and it chronicles his college life with his friends in a less than perfect light. The wedding party reunites college bu! ddies Quentin (Terrence Howard), Mirch (Harold Perrineau) and love interest Jordan (Nia Long). As the celebration weekend nears, scandalous secrets begin to reveal themselves…for better or for worse.At a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lovers, and a sharp screenplay that allows Ray and Eva to arrive at a mutual understanding that's richer and more matur! e than most comedies would bother to allow. By giving its char! acters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff Shannon The game is on and the rules are out as Jamie Foxx, Morris Chestnut, Jennifer Esposito and Gabrielle Union star in this outrageous comedy that rewrites the book of loveJamie Foxx proves a winning romantic lead in the surprisingly subtle Breakin' All the Rules. When Quincy (Foxx, Ali, Collateral) gets brutally dumped by his fiancee, he researches the psychology of firing employees to create a break-up guide--a guide to a kinder, gentler break-up. His cousin Evan (Morris Chestnut, The Brothers) is afraid that his girlfriend is going to dump him, so he asks for Quincy's help, setting in motion a web of mistaken identities that snares Evan's girlfriend Nicky (Gabrielle Union, Bring It On), Quincy's boss Philip (a wonderfully squirmy Peter MacNicol), and a blithe gold digger named Rita (Jennifer Esposit! o, Dracula 2000). Writer/director Daniel Taplitz gives his characters, if not three dimensions, then two and a half--comedy comes out of their personalities instead of lame gags. Add in some unpredictable plot twists, genuine chemistry between Foxx and Union, and the result is genuinely fun. --Bret FetzerAt a time when theaters were clogged with insipid romantic comedies for a predominantly white audience, Deliver Us from Eva offered a smart and sassy alternative. It's another variation of Shakespeare's Taming of the Shrew, beginning when Ray (James Todd Smith, a.k.a. LL Cool J) accepts a $5,000 challenge to seduce Eva (Gabrielle Union), an alleged man-hater who dominates her three sisters and the men in their lives, who are desperate to be "delivered from Eva." It's a sitcom plot from start to finish, with no real surprises. What lifts Eva from its potential doldrums is the sensible negotiations that emerge between the would-be lo! vers, and a sharp screenplay that allows Ray and Eva to arriv! e at a m utual understanding that's richer and more mature than most comedies would bother to allow. By giving its characters an opportunity to show their truly attractive colors, Eva is delivered to us, claws retracted, and ready for love. --Jeff ShannonFrom the playground to the pro leagues, Monica and Quincy taught each other how to play the game. Now, their commitment to the sport will force them to make a choice between each other and the game...between family and team...between Love and Basketball.Gina Prince-Bythewood, a former college athlete, puts a spin on this one-on-one tale of Love and Basketball. Sanaa Lathan (The Best Man) is the fiercely driven, hot-tempered Monica, a tomboy who gives her all for basketball. Omar Epps (The Mod Squad) is Quincy, an NBA player's son who has pro dreams of his own. Next-door neighbors since first grade, they start as rivals (she flabbergasts the boy by outplaying him in a game of driveway pickup) a! nd age into best friends and lovers. The romantic complications follow a familiar game plan, but the film throws a fascinating spotlight onto the contrast between men's and women's basketball. While Quincy plays college ball on huge courts to cheering, sold-out crowds, we see Monica's sweat, tears, and sheer physical dedication in front of tiny audiences in small gyms and second-rate auditoriums.
The story is pointedly set in the late 1980s, years before the establishment of the WNBA, so Monica's prospects for pro ball lie exclusively in Europe, while Quincy steps into the pros at home. It's a pleasure to see a character as passionate and fully developed as Monica, and Lathan gives a fiery portrayal (she had never played ball before the film, but you'd never tell from her performance). Prince-Bythewood favors her struggle over Quincy's and opens our eyes to her unique challenges with a sharp, savvy contrast. Alfre Woodard costars as Monica's harping mom (always trying to! get her to be more ladylike) and Dennis Haysbert is Quincy's ! philande ring father. Hoops fan Spike Lee produced. --Sean Axmaker
Jack Ryan always wanted to play pro ball. But he couldn't hit a curveball, so he turned his attention to less legal pursuits. A tough guy who likes walking the razor's edge, he's just met his match -- and more -- in Nancy. She's a rich man's plaything, seriously into thrills and risk, and together she and Jack are pure heat ready to explode. But when simple housebreaking and burglary give way to the deadly pursuit of a really big score, the stakes suddenly skyrocket. Because violence and double-cross are the name of this game -- and it's going to take every ounce of cunning Jack and Nancy possess to survive . . . each other.
The Fun Hop circumference should not exceed 44 inches per instructions. The hopper will ! increase in size after inflation about 1/2- 1 inches. The Hopper is designed to carry one child and a maximum weight limitation-100 poundsEvery child knows this much about evolution: somewhere, way, way back, we were kangaroos. All you need to satisfy the deep primal desire to get around by hopping is one of these big, heavy-gauge vinyl hopping balls. The slightly stippled surface of the blue vinyl provides plenty of grip, and the ball inflates to over 53 inches in circumference, so it can accommodate different sizes of human Roo. The best feature of this model is a large, solid, arch-shaped handle so that you can hang on across long stretches of rough outback. A pump is required. --Richard Farr
#1 NEW YORK TIMES BESTSELLER
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Reenter the shadowy world of Jason Bourne, an expert assassin still plagued by the splintered nightmares of his former life. This time the stakes are higher than ever. For someone else has taken on the Bourne identityâ€"a ruthless killer who must be stopped or the world will pay a devastating price. To succeed, the real Jason Bourne must maneuver through the dangerous labyrinth of international espionageâ€"an exotic world filled with CIA plots, turncoat agents, and ever-shifting alliancesâ€"all the while hoping to find the truth behind his haunted memories and the answers to his own fragmented past. This time there are two Bournesâ€"and one must ! die.
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