Tuesday, November 29, 2011

Ancient Mysteries - The Black Death

  • What is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt, through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punis
The year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them ! into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is! truly on. Director Christopher Smith, previously responsible ! for the commendably bent time-travel saga Triangle, creates a fantastically earthy environment for the film's increasingly supernatural possibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew WrightThe year is 1348. Europe has fallen under the shadow of the Black Death. As the plague decimates all in its path, fear and superstition are rife. There are rumors of a village hidden in marshland that the plague cannot reach. There is talk of a necromancer who leads the village and is able to bring the dead back to life. Ulric (Sean Bean), a fearsome knight, is charged by the church to investigate these rumors. Joined by a young monk and a small consort of soldiers, the journey ahead will lead them into the heart of darkness where faith is challenged and put to the ultimate test.A potent combination of medieval combat and religious ! paranoia, Black Death serves as an outstanding example of how a genre film can smuggle in some surprisingly mature themes without missing a kinetic step. Set during the late 14th century, Dario Poloni's script follows a young monk (Eddie Redmayne) struggling with his faith as the bubonic plague runs rampant through Europe. As he contemplates fleeing England for a forbidden romance, he is tasked with leading a team of bishop-appointed mercenaries (led by Sean Bean) on their search for a rumored necromancer in the wilderness. After the group hacks their way through packs of infected marauders and nonbelievers, their search finally leads them to a pastoral town mysteriously free of the disease. When the town's beautiful leader (Carice van Houten) displays what appears to be mystical healing powers, the monk must decide which side God is truly on. Director Christopher Smith, previously responsible for the commendably bent time-travel saga Triangle, creates a fanta! stically earthy environment for the film's increasingly supern! atural p ossibilities to take hold. Bolstered by Bean's commanding performance, this is a terrifically grim--and occasionally terribly gory--action film that delivers an unsettling sting in its tail. --Andrew Wright

La moria grandissima began its terrible journey across the European and Asian continents in 1347, leaving unimaginable devastation in its wake. Five years later, twenty-five million people were dead, felled by the scourge that would come to be called the Black Death. The Great Mortality is the extraordinary epic account of the worst natural disaster in European history -- a drama of courage, cowardice, misery, madness, and sacrifice that brilliantly illuminates humankind's darkest days when an old world ended and a new world was born.

A book chronicling one of the worst human disasters in recorded history really has no business being entertaining. But John Kelly's The Great Mortality is a page-turner despite its grim subject matter and g! raphic detail. Credit Kelly's animated prose and uncanny ability to drop his reader smack in the middle of the 14th century, as a heretofore unknown menace stalks Eurasia from "from the China Sea to the sleepy fishing villages of coastal Portugal [producing] suffering and death on a scale that, even after two world wars and twenty-seven million AIDS deaths worldwide, remains astonishing." Take Kelly's vivid description of London in the fall of 1348: "A nighttime walk across Medieval London would probably take only twenty minutes or so, but traversing the daytime city was a different matter.... Imagine a shopping mall where everyone shouts, no one washes, front teeth are uncommon and the shopping music is provided by the slaughterhouse up the road." Yikes, and that's before just about everything with a pulse starts dying and piling up in the streets, reducing the population of Europe by anywhere from a third to 60 percent in a few short years. In addition to taking readers o! n a walking tour through plague-ravaged Europe, Kelly heaps on! the anc illary information and every last bit of it is captivating. We get a thorough breakdown of the three types of plagues that prey on humans; a detailed account of how the plague traveled from nation to nation (initially by boat via flea-infested rats); how floods (and the appalling hygiene of medieval people) made Europe so susceptible to the disease; how the plague triggered a new social hierarchy favoring women and the proletariat but also sparked vicious anti-Semitism; and especially, how the plague forever changed the way people viewed the church. Engrossing, accessible, and brimming with first-hand accounts drawn from the Middle Ages, The Great Mortality illuminates and inspires. History just doesn't get better than that. --Kim HughesWhat is the Black Death? Where did it come from? Scientists still do not know the origins of this deadly plague. Appearing miraculously in 542 A.D., the devastating outbreak claimed 100 million lives. Winding its way from Egypt,! through Asia Minor and into Europe, the devastation lasted 52 years and disappeared as mysteriously as it arrived. Many believed that the plague was sent from God as punishment for the world's sins. How was the cure for the plague finally discovered? Is it still with us today? These are some of the many questions we will explore in this program.

Good

  • GOOD (DVD MOVIE)
When John Halder’s (Viggo Mortensen) latest novel is enlisted by powerful political figures in the Nazi party to push their agenda, his career and social standing instantly advance. But after learning of the Reich’s horrific plans for the future and the devastating effects they will have on people close to him, John must decide whether or not to take a stand and risk losing everything.

Monday, November 28, 2011

Dirty Deeds (Unrated)

  • An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds" an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl o
An American Pie-style teen comedy in which a high school senior tries to become the first student to complete the coveted "10 Dirty Deeds"… an outrageous series of challenges that must be completed between dusk and dawn on the Friday night of Homecoming weekend. The mild-mannered Zach, (Milo Ventimiglia) shows he is no pushover when he takes on the deeds to protect the younger brother of the girl of his dreams (Lacey Chabert).

Down to Earth

  • Condition: New
  • Format: DVD
  • Anamorphic; Closed-captioned; Color; DVD; Widescreen; NTSC
When an African American stand up comedian prematurely dies, the angels in heaven supply him with the body of an eldery white tycoon, so that he can return to earth.
Genre: Feature Film-Comedy
Rating: PG13
Release Date: 2-JAN-2007
Media Type: DVDA tepid reworking of Warren Beatty's Heaven Can Wait (itself a remake of 1941's Here Comes Mr. Jordan), Down to Earth tries to mold comedian Chris Rock into an amiable romantic lead, but it softens the scathingly observant humor that made Rock a standup successor to Richard Pryor. Rock's aggressive style is bracingly expressed in a few good scenes, but through most of this movie--from the directors of American Pie--he struggles with dialogue that would barely pass muster in a low-rate! d sitcom. Edgy potential loses out to crowd-pleasing with the familiar body-switch formula: by way of premature death and bad timing on the part of heaven's Vegas-styled gatekeepers (played by Eugene Levy and Chazz Palminteri), Rock--as struggling comedian Lance Barton--is reincarnated as a 55-year-old white billionaire with a nasty reputation.

Adjusting (too easily) to his racial transition, Lance charms a hospital administrator (Regina King) who's amazed to see the selfish white billionaire turning into romantic philanthropist. This allows plenty of black/white-contrast jokes (did you ever see a fat, middle-aged white guy who's into hip-hop?), and Rock, who cowrote the screenplay, still manages to work some pointed politics into the movie's good-natured tone. It's guaranteed that some will find Down to Earth quite entertaining, but others will wonder how potent this comedy could have been if Rock had been more willing to confront the harsher truths that lurk b! eneath the humor. --Jeff Shannon

Brothers of the Head

  • Temple University alumni Keith Fulton and Louis Pepe (Lost in La Mancha) deliver their first fiction film, a mock-rock documentary about conjoined-twin rock stars in 1960s and 70s London. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019796620 UPC: 796019796620 Manufacturer No: 79662
With Brothers of the Head, Keith Fulton and Louis Pepe (the acclaimed directors of Lost in La Mancha) present their much anticipated debut feature. Written by Tony Grisoni (Fear and Loathing in Las Vegas), Brothers of the Head is the feverish, mind-bending odyssey of conjoined twins Tom and Barry Howe who were plucked from obscurity by a 1970s music promoted and groomed into a boy band. Grappling with impossible love, artistic rivalry, and a dark inner life, the twins embrace their freakishness and spit it back in the form of searing Punk Rock, calling their band The Bang Bang. Brothers of the Head is a ! raucous ride through the seamy underground fo 70's rock, and an unsettling glimpse into a relationship that is as beautiful as it is destructive.A feverish, mind-bending pseudo documentary of conjoined twins Tom and Barry Howe who were plucked from obscurity to be groomed into a boy band. -Official Selection 2006 Los Angeles Film Festival, 2006 Tribeca Film Festival, 2006 South by Southwest Film Festival, 2005 Toronto Film Festival From acclaimed directors of Lost in La Mancha, Keith Fulton and Louis Pepe

Capturing the Friedmans

  • Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of G
Winner of the Grand Jury Prize at the 2003 Sundance Film Festival, and with over $3 million at the box office to date, Capturing The Friedmans is nothing short of the most riveting, provocative, and hotly debated films of the year. Despite their predilection for hamming it up in front of home-movie cameras, the Friedmans were a normal middle-class family living in the affluent New York suburb of Great Neck. One Thanksgiving, as the family gathers at home for a quiet holiday dinner, their front door ! explodes, splintered by a police battering ram. Officers rush into the house, accusing Arnold Friedman and his youngest son Jesse of hundreds of shocking crimes. The film follows their story from the public?s perspective and through unique real footage of the family in crisis, shot inside the Friedman house. As the police investigate, and the community reacts, the fabric of the family begins to disintegrate, revealing provocative questions about truth, justice, family, and -ultimately-truth. With an abundance of exclusive DVD bonus features supplied on a second disc, Capturing the Friedmans is sure to capture you and pin you to your seat.A Sundance Grand Jury prize winner and a true conversation starter, Capturing the Friedmans travels into one apparently ordinary Long Island family's heart of darkness. Arnold and Elaine Friedman had a normal life with their three sons until Arnold was arrested on multiple (and increasingly lurid) charges of child abuse. Becaus! e the Friedmans had documented their own lives with copious ho! me movie s, filmmaker Andrew Jarecki is able to sift through their material looking for clues. Yet what emerges is more surreal than fiction: the youngest Friedman son went to jail, the eldest became a birthday-party clown. In the end, we can't be sure whether Arnold Friedman is a monstrous child molester or the victim of railroading. The portrait of a disconnected family is deeply disturbing, either way, and this film is further proof that a documentary can be just as spellbinding as anything a great storyteller dreams up. --Robert Horton

Canterbury Of New Zealand Men's Cove Woven Shirt, Greenlake, Large

  • Vintage plaid long sleeve button up with double chest pocket detail
  • Unique corded trim button closure detail
  • Double faced fabric detail with button closured forearm pocket
  • Triple stitch detail for rugged wear
  • Elbow patch stitch detailing
The Autumn/Winter 2011 collection draws inspiration from vintage climbers, men who conquered mountains, It's a collection of rugged new classics, Washed and nuetral colors are punctuated by technical brights, The silohouettes are easy and comfortable without getting in your way, Details make subtle reference to climbing heirlooms, leather reinforcements, vintage plaids, corded trim, and hard-wearing broken twill fabrics, Canterbury of New Zealand clothing is designed to be timeless, garments that will surprise you with hidden details everytime you put them on, a wardrobe you will continue to fall in love with over time

Firewall (Widescreen Edition)

  • Firewall stars Harrison Ford as bank security expert Jack Stanfield, whose specialty is designing infallible theft-proof financial computer systems. But there's a hidden vulnerability in the system he didn't account for - himself. When a ruthless criminal mastermind (Paul Bettany) kidnaps his family, Jack is forced to find a flaw in his system and steal $100 million. With the lives of his wife and
Firewall stars Harrison Ford as bank security expert Jack Stanfield, whose specialty is designing infallible theft-proof financial computer systems. But there's a hidden vulnerability in the system he didn't account for - himself. When a ruthless criminal mastermind (Paul Bettany) kidnaps his family, Jack is forced to find a flaw in his system and steal $100 million. With the lives of his wife and children at stake and under constant surveillance, he has only hours to find a loophole in the thief's ! own impenetrable system of subterfuge and false identities to beat him at his own game.

DVD Features:
Featurette
Interviews

Harrrison Ford brings his reliable brand of focused intensity to Firewall, a family-in-peril thriller that fits Ford like a comfortable old sweater. The venerable action star is visibly growing older now, but he's got a quiet, simmering quality here that perfectly suits his role as Jack Stanfield, Vice President of security at a large Seattle bank that's recently upgraded to a state-of-the-art computer security system (resulting in conspicuous Dell product placement throughout the film). Jack's the only one who can safely crack the system, so he's targeted by a would-be robber (Paul Bettany) whose jittery crew of thugs and hackers kidnaps Jack's wife (Sideways star Virginia Madsen), daughter, and young son, threatening to kill them if Jack doesn't transfer $100 million into the robber's secret offshore ! account. Like Bruce Willis in 2005's Hostage, Ford rises above! the fil m's familiar generic trappings, and British director Richard Loncraine maintains a low-key escalation of tension that keeps Firewall on track toward a routine but satisfying conclusion. Supporting roles for Alan Arkin, Robert Forster and Robert Patrick add little to the film's turnabout plotting, but fans of Mary Lynn Rajskub (better known as ace computer nerd "Chloe" on the hit series 24) will enjoy her performance here as a loyal secretary who factors into Stanfield's bid to outsmart his captors. Firewall may not be an instant Ford classic like The Fugitive, but it's comparable to Ford's 2000 thriller What Lies Beneath in terms of overall intelligence and crowd-pleasing suspense. --Jeff Shannon

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